What It Means to Be American
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Identities

Capturing the Architecture of American Agriculture—and a Passing Way of Life

For 45 Years, David Hanks Has Photographed Feed Mills in Every Season and Mood

By David Hanks
August 24, 2017

“Why would anyone want to take pictures of a place like this?”

That’s the question I often get when I enter the office of a feed mill or grain elevator, asking permission to make photographs on the property or inside the buildings.

Showing other photos that I’ve taken usually satisfies the operator that I’m not working for the local tax assessor or real estate agent, and I receive permission to proceed.

A mill in New Era, Michigan. Photo by …

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Encounters

A Jewish Photographer’s Nearly Forgotten ‘Collaboration’ with Cheyenne Indians on the Santa Fe Trail

The Sole Surviving Image of the Perilous Journey Provides a Crucial Bridge to History

By Steve Rivo
January 27, 2017

On a cold day in late November 1853, in a place called Big Timbers, in what is today southeastern Colorado, a Jewish photographer named Solomon Nunes Carvalho hoisted his ten-pound daguerreotype camera onto a tripod and aimed his lens at a pair of Cheyenne Indians. At first glance, the resulting image, scratched and faded from years of neglect, seems unremarkable. But in fact it is probably the oldest existing photograph of Native Americans taken on location in the western United …

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Artifacts

In the Segregated 20th Century, Schoolchildren Embodied Black Uplift

How a Leading Portraitist Captured Their Refinement and Restlessness

By Sara Catania
September 1, 2016

For much of the 20th century, the Scurlock family of portrait photographers—first Addison Scurlock and his wife Mamie and then their sons Robert and George—were the premiere chroniclers of the aspirational lives of Washington D.C.’s black middle class. Over time they forged close working relationships with W.E.B. DuBois and Howard University, as well as photographing Marian Anderson, Duke Ellington, and Booker T. Washington.

But alongside this work—now preserved at the Smithsonian’s National Museum of American History as “Portraits of …

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Places

L.A.’s Forgotten Avenue of the Athletes

Thirty-Two Grimy Bronze Plaques Are All That Remain of a Grand Vision to Create a Walk of Fame for Sports

By David Davis
August 4, 2016

Walking along Sunset Boulevard in Los Angeles the other day I stumbled across an old acquaintance. On a small bronze plaque embedded into the sidewalk was the name Jimmy McLarnin, alongside a set of boxing gloves. In his prime, in the 1920s and 1930s, McLarnin was one of the baddest welterweights to climb into the ring. A two-time world champ, he fought at a time when the best Irish boxers were routinely pitted against the top Italian and Jewish pugs. …

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Identities

Why Abolitionist Frederick Douglass Loved the Photograph

He Considered It the Most Democratic of Arts and a Crucial Aid in the Quest to End Slavery and Achieve Civil Rights

By John Stauffer
December 4, 2015

Suddenly, it seems, the camera has become a potent weapon in what many see as the beginning of a new civil rights movement. It’s become a familiar tale: Increasingly, blacks won’t leave home without a camera, and, according to F.B.I. Director James B. Comey, more police officers are thinking twice about questioning minorities, for fear of having the resulting film footage go viral.

But the link between photography (or film) and civil rights dates back to Frederick Douglass, the famous …

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Artifacts

American Indians, Playing Themselves

As Buffalo Bill’s Performers, They Were Walking Stereotypes. But a New York Photographer Showed the Humans Beneath the Headdresses.

By Michelle Delaney
January 27, 2015

Chief Iron Tail, photographed by Gertrude Käsebier

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